(25) A border of a hand-breadth.--Rather, a band, or framing. The representation of the table of shewbread on the Arch of Titus at Rome gives the best idea of this "band" or framing. It was a flat bar about midway between the top of the table and its feet, connecting the four legs together, and so keeping them in place. Its "golden crown," or "edging," can have been only for ornament.

Verse 25. - A border of a hand-breadth. Rather "a band" or "framing." This seems to have been a broad flat bar, placed about hallway down the legs, uniting them and holding them together. It was represented in the sculpture of the table which adorned the Arch of Titus. (See the Speaker's Commentary, vol. 1. p. 363.) A golden crown to the border - i.e., an edging at the top of the bar, which could be only for ornament.

25:23-30 A table was to be made of wood, overlaid with gold, to stand in the outer tabernacle, to be always furnished with the shew-bread. This table, with the articles on it, and its use, seems to typify the communion which the Lord holds with his redeemed people in his ordinances, the provisions of his house, the feasts they are favoured with. Also the food for their souls, which they always find when they hunger after it; and the delight he takes in their persons and services, as presented before him in Christ.And thou shalt make unto it a border of art hand's breadth round about,.... Jarchi says, their wise men are divided about this; some say it was above, round about the table; others say it was below, fixed from foot to foot at the four corners of the table, and the board of the table lay upon the border:

and thou shalt make a golden crown to the border thereof round about; this was not the same spoke of in the former verse, but another; that was above, and upon the table, this below and under it; or rather that was, as it may be better expressed, a lip, rim, or border, that went round within the table (u); and this crown, surrounded that on the edge of it.

(u) So R. Sol. Urbin. Ohel Moed, fol. 61. 2.