(21) And upon a set day . . .--Josephus (Ant. xix. 8, ? 2) gives an account of the incident that follows substantially agreeing with that here recorded. The scene was the theatre at Caesarea, which had been built by Herod the Great. Agrippa was celebrating games in honour of the Emperor Claudius, who had succeeded Caligula in A.D. 41, possibly in honour of his return from Britain in A.D. 44. He was arrayed in a robe of silver tissue, such as Caligula had been wont to wear at banquets and games in Rome, which glittered with a dazzling brightness under the rays of the morning sun. His courtiers, taking up the Roman fashion of showing honour to kings and emperors, hailed him as a god, and prayed him, as such, to be propitious to them. The king did not repress the flattery, which fell on the ears of all Jewish by-standers as a fearful blasphemy. He accepted for himself the divine honours which he had dissuaded Caligula from claiming. He looked up, and saw an owl perched on a rope behind him, and recognised in it an omen of evil, fulfilling a prediction which had been made to him by a fellow-prisoner during his confinement at Rome (Jos. Ant. xviii. 8). Sharp pain fell on him, and in five days he died.

Comparing St. Luke's narrative with this, it seems probable that the delegates from Tyre and Sidon were among those who raised the cry, "Be thou propitious to us," and that their friend Blastus, knowing the weak point in Herod's character, had instructed them that this was the way to obtain his favour. We feel, as we read the narrative, the contrast between St. Peter's refusal even of Cornelius's attitude of homage, and Agrippa's acceptance of the profane apotheosis of the multitude.

Verse 21. - Arrayed himself for arrayed, A.V.; and sat for sat, A.V. and T.R.; on the throne for upon his throne, A.V. On the throne. Βῆμα does not mean "the king's throne," and is nowhere so rendered in the A.V. but here. It means any raised stage or platform upon which a judge, or an orator, or any one wishing to address an assembly, stands. Here it means a high platform in the theatre at Caesarea, from whence the king, raised above the rest of the audience, could both see the games and make his speech to the people.

12:20-25 Many heathen princes claimed and received Divine honours, but it was far more horrible impiety in Herod, who knew the word and worship of the living God, to accept such idolatrous honours without rebuking the blasphemy. And such men as Herod, when puffed with pride and vanity, are ripening fast for signal vengeance. God is very jealous for his own honour, and will be glorified upon those whom he is not glorified by. See what vile bodies we carry about with us; they have in them the seeds of their own dissolution, by which they will soon be destroyed, whenever God does but speak the word. We may learn wisdom from the people of Tyre and Sidon, for we have offended the Lord with our sins. We depend on him for life, and breath, and all things; it surely then behoves us to humble ourselves before him, that through the appointed Mediator, who is ever ready to befriend us, we may be reconciled to him, lest wrath come upon us to the utmost.And upon a set day,.... Either on some feast day of divine appointment, as a feast day was by the Jews called "a stated day"; or on some day appointed by Herod, for the receiving of the ambassadors of Tyre and Sidon, and of hearing their petitions; or as Josephus (r) says, it was on the second day of the sports and plays, instituted by him in honour of Caesar:

Herod, arrayed in royal apparel; the same Jewish historian in the same place says, that this his apparel was all of silver, and of a wonderful contexture; and that going in this very early in the morning into the theatre, the silver shone so with the rays of the rising sun, that it struck the spectators with terror and admiration:

sat upon his throne; and very likely with the other ensigns of royalty, as a crown on his head, and a sceptre in his hand:

and made an oration unto them; either unto the ambassadors from Tyre and Sidon, or rather unto the common people, the multitude that were gathered together in the theatre, where the above historian says he was.

(r) Antiqu. l. 19, c. 8. sect 2.